⇒ Libro Rules for a Proper Governess Mackenzies Series Jennifer Ashley 9780425266038 Books

Rules for a Proper Governess Mackenzies Series Jennifer Ashley 9780425266038 Books

Download As PDF : Rules for a Proper Governess Mackenzies Series Jennifer Ashley 9780425266038 Books

Rules for a Proper Governess Mackenzies Series Jennifer Ashley 9780425266038 Books

I have been struggling to get into historical romance, lately, which has left me feeling adrift because historicals were my introduction to the romance genre, and a lot of my favorite, auto-buy authors (including Jennifer Ashley) write historicals. But even the last few Jennifer Ashley books I've read have been disappointing, so it was nice to pick up and thoroughly enjoy Rules for a Proper Governess.

Sinclair McBride is a barrister who prosecutes crimes in the London courts. Bertie (Roberta) is a daughter of a petty criminal from the East End. When one of her friends is accused of a murder she didn't commit, Bertie expects McBride to put his considerable legal skills to work crucifying her friend--that's his job, after all--but instead he tricks the main prosecution witness into all-but-confessing to the crime on the stand. Bertie is thrilled, until her father and fiance (one of her father's associates), force her to pick McBride's pockets. To her surprise, McBride gives chase. When he catches her, he convinces her to return his stolen pocketwatch (a treasured gift from his late wife) in exchange for freely-given coin.

Yes, you have to willingly suspend your disbelief a little bit to accept that a prosecutor would give a pickpocket money rather than clapping her in irons, much less that he'd hire that same uneducated, unpolished, Cockney-accented guttersnipe as a governess to his children, but if you can make that leap, it's a fun story and an unusually compelling romance.

I really, really enjoyed Bertie. She is so unflinchingly honest and self-possessed. Compared to the carefully calculated manners and behavior of so many of the husband-hunting ladies populating historical romance (who tend to be spunky or perky, sure, but only so far as propriety permits), Bertie is refreshingly relaxed. She is smart and savvy and strong -- she fights her own battles (literally), but also owns her flaws. She knows she's woefully unequipped for the job of educating McBride's children, so she sets out to read his entire library. She goes after what she wants--she's the one who initiates the first kiss with McBride, for example--but though she wants McBride, she doesn't need him. She doesn't expect McBride to marry her--(which is actually often a problem for me: I tend not to like historical romances where the lady takes the enormous risks to her reputation and possible pregnancy by becoming intimate with the hero, before he commits himself to the relationship--I think I was willing to forgive it here because 1) Bertie's reputation wasn't so pure it needed to be so well protected, 2) McBride's feelings for her were clear from the beginning, even before he spoke them out loud to Bertie, and 3) you know if anything did go wrong in the relationship, Bertie is strong and smart enough to look after herself)--but she loves him and doesn't play games with herself or with him about her feelings and her determination to experience and enjoy their relationship for as long as it lasts.

Bertie also has a mindfulness that is very appealing, both to McBride and to the reader. McBride has gone numb, still in mourning over the death of his wife, overwhelmed by work and by the emotional needs of his unruly children, whom he loves but can't connect with. By contrast, Bertie feels everything, notices everything, appreciates everything. She loves McBride, loves the children, loves the books she reads, loves the fine soaps they use in the McBride house, loves the fine engineering of the train that takes her out of London for the first time. McBride shows her the world, but in exchange, she shows him how to see and appreciate it, how to be present in the world in a way he has not been since losing his wife.

The plot moves right along and there's plenty of stuff that would make a stickler for historical verisimilitude purse her lips in dismay (I am not such a stickler, except when it comes to grammar), and if you're one of those people who hates plot moppets (cute but unrealistic child characters who do little to advance the plot), this is not the book for you, but I really enjoyed it.


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Rules for a Proper Governess Mackenzies Series Jennifer Ashley 9780425266038 Books Reviews

Finally a book that takes two people of different classes who fall in love, and the romance feels real. Bertie (Roberta) is a pickpocket/t;heif who tries to steal from Sinclair at the behest of her father who was furious the barrister had revealed his friend's participation in a murder, and he had to pay for that transgression. But that all goes awry when attraction strikes. Sinclair is a man who all but died following his wife's death, and only their two children kept him clinging on. Bertie's attraction leads to her meeting and instantly bonding with Sinclair's children.

The children are plot moppets, but they come to life--the boy is loud and his sister is totally withdrawn.

***Spoilers****
The girl does come out of her shell mainly because it is literally cracked when her doll is destroyed, but the boy never gets quiet. They felt like real children.

The love between the two grows little by little, as the two have reasoned discussions of life, life's misfortunes, and the way to raise the two children. What I liked were the ways the characters developed Bertie decides she needs to become a proper governess, and she does this by enlisting others to help her absorb all the knowledge in Sinclair's library. He's fascinated by her ingenuity and her insights into the other characters.

I also liked it because it was the first in a long time that I've seen the lower class characters as coming from a rough, poor, brutal life. This does not glorify poverty or crime. In fact, it portrays them with clarity.

This story also got bonus points because the hero gets injured but doesn't have insta-sex. Of course Bertie takes care of him, and they're soon lusting each other in the sickroom. But surprise! there's no athletic sex romp. The author closes the chapter with a sad sigh of desire delayed, and a week later, the two join together. I'm so tired of someone being shot and improbably having three orgasms after being stitched up that I cheered, out loud, at this development.

While I liked the ending (happiness all around), the author lost Bertie's smart aleck voice that she had sustained through 9/10th of the book. Bertie becomes a "I love you, I love you" refrain for the last chapter which just didn't fit her tough girl image. The teasing and smart mouth went away.

This story has action, love, romance, conflict, and a plot. Best of all is Bertie's voice running through nearly all of the novel that gave it an energy that was delightful. I'm looking forward to the next book, but I doubt any author can knock her characters around with such flair in another book.
I have been struggling to get into historical romance, lately, which has left me feeling adrift because historicals were my introduction to the romance genre, and a lot of my favorite, auto-buy authors (including Jennifer Ashley) write historicals. But even the last few Jennifer Ashley books I've read have been disappointing, so it was nice to pick up and thoroughly enjoy Rules for a Proper Governess.

Sinclair McBride is a barrister who prosecutes crimes in the London courts. Bertie (Roberta) is a daughter of a petty criminal from the East End. When one of her friends is accused of a murder she didn't commit, Bertie expects McBride to put his considerable legal skills to work crucifying her friend--that's his job, after all--but instead he tricks the main prosecution witness into all-but-confessing to the crime on the stand. Bertie is thrilled, until her father and fiance (one of her father's associates), force her to pick McBride's pockets. To her surprise, McBride gives chase. When he catches her, he convinces her to return his stolen pocketwatch (a treasured gift from his late wife) in exchange for freely-given coin.

Yes, you have to willingly suspend your disbelief a little bit to accept that a prosecutor would give a pickpocket money rather than clapping her in irons, much less that he'd hire that same uneducated, unpolished, Cockney-accented guttersnipe as a governess to his children, but if you can make that leap, it's a fun story and an unusually compelling romance.

I really, really enjoyed Bertie. She is so unflinchingly honest and self-possessed. Compared to the carefully calculated manners and behavior of so many of the husband-hunting ladies populating historical romance (who tend to be spunky or perky, sure, but only so far as propriety permits), Bertie is refreshingly relaxed. She is smart and savvy and strong -- she fights her own battles (literally), but also owns her flaws. She knows she's woefully unequipped for the job of educating McBride's children, so she sets out to read his entire library. She goes after what she wants--she's the one who initiates the first kiss with McBride, for example--but though she wants McBride, she doesn't need him. She doesn't expect McBride to marry her--(which is actually often a problem for me I tend not to like historical romances where the lady takes the enormous risks to her reputation and possible pregnancy by becoming intimate with the hero, before he commits himself to the relationship--I think I was willing to forgive it here because 1) Bertie's reputation wasn't so pure it needed to be so well protected, 2) McBride's feelings for her were clear from the beginning, even before he spoke them out loud to Bertie, and 3) you know if anything did go wrong in the relationship, Bertie is strong and smart enough to look after herself)--but she loves him and doesn't play games with herself or with him about her feelings and her determination to experience and enjoy their relationship for as long as it lasts.

Bertie also has a mindfulness that is very appealing, both to McBride and to the reader. McBride has gone numb, still in mourning over the death of his wife, overwhelmed by work and by the emotional needs of his unruly children, whom he loves but can't connect with. By contrast, Bertie feels everything, notices everything, appreciates everything. She loves McBride, loves the children, loves the books she reads, loves the fine soaps they use in the McBride house, loves the fine engineering of the train that takes her out of London for the first time. McBride shows her the world, but in exchange, she shows him how to see and appreciate it, how to be present in the world in a way he has not been since losing his wife.

The plot moves right along and there's plenty of stuff that would make a stickler for historical verisimilitude purse her lips in dismay (I am not such a stickler, except when it comes to grammar), and if you're one of those people who hates plot moppets (cute but unrealistic child characters who do little to advance the plot), this is not the book for you, but I really enjoyed it.